Put the finishing touch on your serene space with this two-piece print set, perfect for yoga studios and prayer rooms. Showcasing tranquil hand symbols adorned with henna and bangles, each offers neutral hues of brown and blush with light starry details. Made in the USA, each piece is printed on canvas and wrapped around a wood frame for a look that rivals any gallery. Plus, this duo arrives ready to hang with wall-mounting hardware included. Biblical Verses Image Lovely Gospel Songs for a Wedding The Very Best Gospel Songs Ever Written Beautiful Songs for Gospel Choirs The Greatest Gospel Rappers The Greatest Southern Gospel Artists Perfect Gospel Songs for a Funeral The Best Female Gospel Singers The Greatest Gospel Choirs Ever The Best Urban Contemporary Gospel Artists The Best Gospel Albums of All Time Gospel Songs for Men to Sing The Best Songs for Christmas The Very Best Country Gospel Songs Beautiful Southern Gospel Songs Great Gospel Songs for Children The Best Gospel Songs for Women Top Country Gospel Artists & Bands Gospel Rap Songs You Need to Hear '90s Southern Gospel
Scripture Wall Art also has the freshest and most sought-after designs out there. Many companies try to illegally copy our designs. We always catch them and require them to stop. Sometimes they even say they are selling our products. Simply stated, they lie. We are that only company that sells our products. We do not wholesale to anyone and we have not licensed our designs to anybody. This ensures you the best product that will never look like what everyone else sells. Yes, we could design our wall arts to be faster to make by using boring fonts. Yes we could make them smaller to save money. Yes we could use cheaper materials. NO NO and NO is what we say. We design our products to be beautiful as the primary goal. We make them all in the size that years of customer feedback has told us is the most preferred size for our customers. And we use the best materials because we think you are worth it.
And when he had taken the scroll, the four living creatures and the twenty-four elders fell down before the Lamb, each holding a harp, and golden bowls full of incense, which are the prayers of the saints. And they sang a new song, saying, “Worthy are you to take the scroll and to open its seals, for you were slain, and by your blood you ransomed people for God from every tribe and language and people and nation, and you have made them a kingdom and priests to our God, and they shall reign on the earth.” Then I looked, and I heard around the throne and the living creatures and the elders the voice of many angels, numbering myriads of myriads and thousands of thousands, saying with a loud voice, “Worthy is the Lamb who was slain, to receive power and wealth and wisdom and might and honor and glory and blessing!” ... Scripture Verse Wall Art While many white musicians gravitated toward country, folk, and old-timey music to express their spirituality outside of traditional Christian hymns, Black Gospel music drew heavily upon the traditional spirituals that had been passed down from the days of slavery, picking up its more driving rhythmic emphasis from blues and early jazz. Composer and singer Thomas A. Dorsey crystallized the style in 1932 with his epochal "Take My Hand, Precious Lord," and went on to compose a great many songs that later became standards. When performed in the churches, the music was traditionally sung by a choir, with individual soloists sometimes taking the spotlight; this often happened in a form known as "call and response," in which either the choir or the soloist would repeat and/or answer the lyric which had just been sung by the other, with the soloist improvising embellishments of the melody for greater emphasis. As the music developed, these soloists became more and more virtuosic, performing with wild emotion (and, in the South, physicality) in order to properly express the spiritual ecstasy the music was meant to evoke. The music was quite egalitarian in terms of gender, as both male and female performers -- Brother Joe May, Rev. James Cleveland, Mahalia Jackson, the Clara Ward Singers, etc. -- gained wide renown among both black and white audiences. The small-group format was also prevalent, with major figures including the Five Blind Boys of Mississippi, the Soul Stirrers, the Swan Silvertones, and the Dixie Hummingbirds; in general, these groups placed a greater premium on smooth vocal harmonies, although some performances could approach the raucous energy (if not quite the huge sound) of a choir-with-soloist group. As the years progressed, black gospel and black popular music influenced and borrowed from one another, reflecting the gradual change of emphasis toward R&B; black gospel also had an enormous impact on the development of soul music, which directed gospel's spiritual intensity into more secular concerns, and included a great many performers whose musical skills were developed in the church. As a recognizable style unto itself, black gospel music largely ceased to develop around the 1970s; progressing racial attitudes had helped black popular music reach wider audiences (and become more lucrative) than ever before, and tastes had turned towards the earthy hedonism of funk and the highly arranged, sophisticated Philly soul sound. The former wasn't quite appropriate for worship, and it wasn't all that practical to duplicate the latter in church services. However, the traditional black gospel sound survived intact and was eventually augmented by contemporary gospel (an '80s/'90s variation strongly influenced by latter-day urban R&B); plus, singers like Whitney Houston continued to develop within its ranks. Scripture Verse Wall Art