This is a giclee print reproduction on stretched canvas with a solid wood frame. The art is mounted in the frame and is ready to hang. This is a high-quality giclee reproduction. They only use the highest quality materials to create your art. They use archival inks and museum quality archival certified acid-free canvas. A clear matte finish coat is applied which will protect your art against fading; dirt; moisture; and discoloration. The finish contains UV light absorbers and stabilizer.
Scripture Wall Art is the leader in the vinyl wall decal industry specializing in Bible Verse Wall Decals, Romantic Love Decals, Motivational Wall Decals, Decals for Children, Family Themed Wall Decals, and even wall decals for the Laundry Room. With over 1200 designs, we probably already have what you want, however, if we don’t, we will be happy to make it for you. Scripture Images Our extensive experience ensures you of the highest quality product. As in most industries, when they start to mature the low price competitors come in to make quick money with inferior products. The Vinyl Wall Decal industry has been no different. Just in the past few years, we have seen a flood of inferior products coming in from overseas. While these products are usually cheap, they aren’t usually even functional. These products come without necessities like pre-installed transfer tape making it almost impossible for you to actually install the product. One company we know of doesn’t even “weed” their products making them useless for most customers. Of course, trying to fight with a Chinese company for a $5 refund is seldom worth the time so most users just end up frustrated and disappointed. Biblical Verses Image
While many white musicians gravitated toward country, folk, and old-timey music to express their spirituality outside of traditional Christian hymns, Black Gospel music drew heavily upon the traditional spirituals that had been passed down from the days of slavery, picking up its more driving rhythmic emphasis from blues and early jazz. Composer and singer Thomas A. Dorsey crystallized the style in 1932 with his epochal "Take My Hand, Precious Lord," and went on to compose a great many songs that later became standards. When performed in the churches, the music was traditionally sung by a choir, with individual soloists sometimes taking the spotlight; this often happened in a form known as "call and response," in which either the choir or the soloist would repeat and/or answer the lyric which had just been sung by the other, with the soloist improvising embellishments of the melody for greater emphasis. As the music developed, these soloists became more and more virtuosic, performing with wild emotion (and, in the South, physicality) in order to properly express the spiritual ecstasy the music was meant to evoke. The music was quite egalitarian in terms of gender, as both male and female performers -- Brother Joe May, Rev. James Cleveland, Mahalia Jackson, the Clara Ward Singers, etc. -- gained wide renown among both black and white audiences. The small-group format was also prevalent, with major figures including the Five Blind Boys of Mississippi, the Soul Stirrers, the Swan Silvertones, and the Dixie Hummingbirds; in general, these groups placed a greater premium on smooth vocal harmonies, although some performances could approach the raucous energy (if not quite the huge sound) of a choir-with-soloist group. As the years progressed, black gospel and black popular music influenced and borrowed from one another, reflecting the gradual change of emphasis toward R&B; black gospel also had an enormous impact on the development of soul music, which directed gospel's spiritual intensity into more secular concerns, and included a great many performers whose musical skills were developed in the church. As a recognizable style unto itself, black gospel music largely ceased to develop around the 1970s; progressing racial attitudes had helped black popular music reach wider audiences (and become more lucrative) than ever before, and tastes had turned towards the earthy hedonism of funk and the highly arranged, sophisticated Philly soul sound. The former wasn't quite appropriate for worship, and it wasn't all that practical to duplicate the latter in church services. However, the traditional black gospel sound survived intact and was eventually augmented by contemporary gospel (an '80s/'90s variation strongly influenced by latter-day urban R&B); plus, singers like Whitney Houston continued to develop within its ranks. Scripture Verse Wall Art