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This is a giclee print reproduction on stretched canvas with a solid wood frame. The art is mounted in the frame and is ready to hang. This is a high-quality giclee reproduction. They only use the highest quality materials to create your art. They use archival inks and museum quality archival certified acid-free canvas. A clear matte finish coat is applied which will protect your art against fading; dirt; moisture; and discoloration. The finish contains UV light absorbers and stabilizer. Christian Images

Then to Adam He said, "Because you have listened to the voice of your wife, and have eaten from the tree about which I commanded you, saying, 'You shall not eat from it'; Cursed is the ground because of you; In toil you will eat of it All the days of your life. "Both thorns and thistles it shall grow for you; And you will eat the plants of the field; By the sweat of your face You will eat bread, Till you return to the ground, Because from it you were taken; For you are dust, And to dust you shall return." Scripture Verse Wall Art


This is a list of Christian worship music artists or bands. This list includes notable artists or bands that have recorded or been known to perform contemporary worship music at some point in their careers. This includes worship leaders, Christian songwriters, and contemporary Christian music artists. It is not a list of contemporary Christian music artists alone. Christian Images
This uniquely designed 'Our Family a Circle of Strength Founded on Faith Joined in Love Kept By God' Framed Textual Art on Canvas is the perfect gift or trendy update to any home or office space. An excellent addition to your classical design concept in your kitchen, bathroom, bedroom, man cave, game room, living room or studio.This is a shop that specializes in home decor.They create handmade art for every budget. Beautiful giclee prints on canvas with a custom picture frame for all your...
While many white musicians gravitated toward country, folk, and old-timey music to express their spirituality outside of traditional Christian hymns, Black Gospel music drew heavily upon the traditional spirituals that had been passed down from the days of slavery, picking up its more driving rhythmic emphasis from blues and early jazz. Composer and singer Thomas A. Dorsey crystallized the style in 1932 with his epochal "Take My Hand, Precious Lord," and went on to compose a great many songs that later became standards. When performed in the churches, the music was traditionally sung by a choir, with individual soloists sometimes taking the spotlight; this often happened in a form known as "call and response," in which either the choir or the soloist would repeat and/or answer the lyric which had just been sung by the other, with the soloist improvising embellishments of the melody for greater emphasis. As the music developed, these soloists became more and more virtuosic, performing with wild emotion (and, in the South, physicality) in order to properly express the spiritual ecstasy the music was meant to evoke. The music was quite egalitarian in terms of gender, as both male and female performers -- Brother Joe May, Rev. James Cleveland, Mahalia Jackson, the Clara Ward Singers, etc. -- gained wide renown among both black and white audiences. The small-group format was also prevalent, with major figures including the Five Blind Boys of Mississippi, the Soul Stirrers, the Swan Silvertones, and the Dixie Hummingbirds; in general, these groups placed a greater premium on smooth vocal harmonies, although some performances could approach the raucous energy (if not quite the huge sound) of a choir-with-soloist group. As the years progressed, black gospel and black popular music influenced and borrowed from one another, reflecting the gradual change of emphasis toward R&B; black gospel also had an enormous impact on the development of soul music, which directed gospel's spiritual intensity into more secular concerns, and included a great many performers whose musical skills were developed in the church. As a recognizable style unto itself, black gospel music largely ceased to develop around the 1970s; progressing racial attitudes had helped black popular music reach wider audiences (and become more lucrative) than ever before, and tastes had turned towards the earthy hedonism of funk and the highly arranged, sophisticated Philly soul sound. The former wasn't quite appropriate for worship, and it wasn't all that practical to duplicate the latter in church services. However, the traditional black gospel sound survived intact and was eventually augmented by contemporary gospel (an '80s/'90s variation strongly influenced by latter-day urban R&B); plus, singers like Whitney Houston continued to develop within its ranks. Biblical Verses Image
Are you stuck with a room that feels tired? Whether you're dealing with a stale study or listless living room, adding a piece of wall art like this is a great way to brighten up a bare wall, and transform your space with a personalized touch. Perfect for a globally-inspired accent, this painting print features a close up of a Buddha statue's face in a blue and green color scheme. Printed in the USA on canvas, this piece is wrapped around a wood frame for a gallery look on your walls. Wall...

Country music is a wildly popular genre, but there are other sub-genres that could exist beneath it, such as Christian country music (CCM). CCM, sometimes called country gospel or inspirational country, blends the style of country with biblical lyrics. Like country music itself, it is an expansive genre, and no two CCM artists will sound exactly alike.  Christian Images
While many white musicians gravitated toward country, folk, and old-timey music to express their spirituality outside of traditional Christian hymns, Black Gospel music drew heavily upon the traditional spirituals that had been passed down from the days of slavery, picking up its more driving rhythmic emphasis from blues and early jazz. Composer and singer Thomas A. Dorsey crystallized the style in 1932 with his epochal "Take My Hand, Precious Lord," and went on to compose a great many songs that later became standards. When performed in the churches, the music was traditionally sung by a choir, with individual soloists sometimes taking the spotlight; this often happened in a form known as "call and response," in which either the choir or the soloist would repeat and/or answer the lyric which had just been sung by the other, with the soloist improvising embellishments of the melody for greater emphasis. As the music developed, these soloists became more and more virtuosic, performing with wild emotion (and, in the South, physicality) in order to properly express the spiritual ecstasy the music was meant to evoke. The music was quite egalitarian in terms of gender, as both male and female performers -- Brother Joe May, Rev. James Cleveland, Mahalia Jackson, the Clara Ward Singers, etc. -- gained wide renown among both black and white audiences. The small-group format was also prevalent, with major figures including the Five Blind Boys of Mississippi, the Soul Stirrers, the Swan Silvertones, and the Dixie Hummingbirds; in general, these groups placed a greater premium on smooth vocal harmonies, although some performances could approach the raucous energy (if not quite the huge sound) of a choir-with-soloist group. As the years progressed, black gospel and black popular music influenced and borrowed from one another, reflecting the gradual change of emphasis toward R&B; black gospel also had an enormous impact on the development of soul music, which directed gospel's spiritual intensity into more secular concerns, and included a great many performers whose musical skills were developed in the church. As a recognizable style unto itself, black gospel music largely ceased to develop around the 1970s; progressing racial attitudes had helped black popular music reach wider audiences (and become more lucrative) than ever before, and tastes had turned towards the earthy hedonism of funk and the highly arranged, sophisticated Philly soul sound. The former wasn't quite appropriate for worship, and it wasn't all that practical to duplicate the latter in church services. However, the traditional black gospel sound survived intact and was eventually augmented by contemporary gospel (an '80s/'90s variation strongly influenced by latter-day urban R&B); plus, singers like Whitney Houston continued to develop within its ranks. Scripture Images
So, who are the best gospel singers? Any list of gospel artists has to include male gospel singers like Kirk Franklin, Marvin Sapp, BeBe Winans, and Fred Hammond, as well as female Christian singers like CeCe Winans, Yalonda Adams and Shirley Caesar. These gospel singers are considered some of the best in the genre and it's with good reason that they're at or near the top of this poll. The best gospel artists are well represented on this list and with good reason. When you think of Christian singers and gospel artists, you should be able to use this list as a great point of reference. Scripture Verse Wall Art
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