Sadly, many people will look at us and judge us by appearances and as we’ve already read, they can miss-read us because they don’t see what’s on the inside which is what is of ultimate importance.  Jesus said “You judge by human standards; I pass judgment on no one” (John 8:15).  Every time that someone looks at us and they judge us by appearances, they are judging us by human standards and very likely miss-judging us.  What they can’t see is what is most important anyway.  The religious leaders of Jesus’ day were only concerned with what people saw them doing but God knew their hearts and saw that they were inwardly full of sin.
I think many of us struggle with the way we look.  If we only understood that God made us the way we are we might think that other’s expectations and our own isn’t important.  The way that God sees us is the most important thing of all because God doesn’t look at the outward appearance the way that we or others tend to do.  Many people judge us from our outward appearance and not by what is inside.  What is inside is what really counts in God’s eyes and in God’s eyes it’s the only thing that’s important.  The outward man or woman is not of eternal importance…it is what is inside as Jesus once said “it is not what goes into the mouth that defiles a person, but what comes out of the mouth; this defiles a person” (Matt 15:11) so we must keep our focus on what really defiles a person and it’s not what’s outside that does it but what comes out of the person’s mouth for that reveals what’s in our hearts. Scripture Images
While many white musicians gravitated toward country, folk, and old-timey music to express their spirituality outside of traditional Christian hymns, Black Gospel music drew heavily upon the traditional spirituals that had been passed down from the days of slavery, picking up its more driving rhythmic emphasis from blues and early jazz. Composer and singer Thomas A. Dorsey crystallized the style in 1932 with his epochal "Take My Hand, Precious Lord," and went on to compose a great many songs that later became standards. When performed in the churches, the music was traditionally sung by a choir, with individual soloists sometimes taking the spotlight; this often happened in a form known as "call and response," in which either the choir or the soloist would repeat and/or answer the lyric which had just been sung by the other, with the soloist improvising embellishments of the melody for greater emphasis. As the music developed, these soloists became more and more virtuosic, performing with wild emotion (and, in the South, physicality) in order to properly express the spiritual ecstasy the music was meant to evoke. The music was quite egalitarian in terms of gender, as both male and female performers -- Brother Joe May, Rev. James Cleveland, Mahalia Jackson, the Clara Ward Singers, etc. -- gained wide renown among both black and white audiences. The small-group format was also prevalent, with major figures including the Five Blind Boys of Mississippi, the Soul Stirrers, the Swan Silvertones, and the Dixie Hummingbirds; in general, these groups placed a greater premium on smooth vocal harmonies, although some performances could approach the raucous energy (if not quite the huge sound) of a choir-with-soloist group. As the years progressed, black gospel and black popular music influenced and borrowed from one another, reflecting the gradual change of emphasis toward R&B; black gospel also had an enormous impact on the development of soul music, which directed gospel's spiritual intensity into more secular concerns, and included a great many performers whose musical skills were developed in the church. As a recognizable style unto itself, black gospel music largely ceased to develop around the 1970s; progressing racial attitudes had helped black popular music reach wider audiences (and become more lucrative) than ever before, and tastes had turned towards the earthy hedonism of funk and the highly arranged, sophisticated Philly soul sound. The former wasn't quite appropriate for worship, and it wasn't all that practical to duplicate the latter in church services. However, the traditional black gospel sound survived intact and was eventually augmented by contemporary gospel (an '80s/'90s variation strongly influenced by latter-day urban R&B); plus, singers like Whitney Houston continued to develop within its ranks. Scripture Images
Being one of the industry leaders for over a decade, we know more about vinyl wall decal than most companies out there. We have learned by trial and error and from amazing feedback from our awesome customers. We are Amazon Professional Sellers, Ebay Power Sellers, and Ebay Top Sellers, and sell through at least 15 other sites online. However, you will typically get our best pricing here at our website plus it is definitely easier to find specific wall arts here than at most sites. Biblical Verses Image
Being one of the industry leaders for over a decade, we know more about vinyl wall decal than most companies out there. We have learned by trial and error and from amazing feedback from our awesome customers. We are Amazon Professional Sellers, Ebay Power Sellers, and Ebay Top Sellers, and sell through at least 15 other sites online. However, you will typically get our best pricing here at our website plus it is definitely easier to find specific wall arts here than at most sites.
I think many of us struggle with the way we look.  If we only understood that God made us the way we are we might think that other’s expectations and our own isn’t important.  The way that God sees us is the most important thing of all because God doesn’t look at the outward appearance the way that we or others tend to do.  Many people judge us from our outward appearance and not by what is inside.  What is inside is what really counts in God’s eyes and in God’s eyes it’s the only thing that’s important.  The outward man or woman is not of eternal importance…it is what is inside as Jesus once said “it is not what goes into the mouth that defiles a person, but what comes out of the mouth; this defiles a person” (Matt 15:11) so we must keep our focus on what really defiles a person and it’s not what’s outside that does it but what comes out of the person’s mouth for that reveals what’s in our hearts. Scripture Images

God has made us exactly the way that it pleased Him and we all must remember that God has chosen the weak and the base of the world (1 Cor 1:27) and what the world considers despised and lowly (1 Cor 1:28) is important to God and that’s all that matters, isn’t it?  He looks at the inward parts of the human heart, not the outward appearance, so don’t worry about what the body looks like, be concerned with the things that God sees because in the end, that’s all that’s important and that’s all that really matters.  What others think is nothing…what God knows is everything. Scripture Images

While many white musicians gravitated toward country, folk, and old-timey music to express their spirituality outside of traditional Christian hymns, Black Gospel music drew heavily upon the traditional spirituals that had been passed down from the days of slavery, picking up its more driving rhythmic emphasis from blues and early jazz. Composer and singer Thomas A. Dorsey crystallized the style in 1932 with his epochal "Take My Hand, Precious Lord," and went on to compose a great many songs that later became standards. When performed in the churches, the music was traditionally sung by a choir, with individual soloists sometimes taking the spotlight; this often happened in a form known as "call and response," in which either the choir or the soloist would repeat and/or answer the lyric which had just been sung by the other, with the soloist improvising embellishments of the melody for greater emphasis. As the music developed, these soloists became more and more virtuosic, performing with wild emotion (and, in the South, physicality) in order to properly express the spiritual ecstasy the music was meant to evoke. The music was quite egalitarian in terms of gender, as both male and female performers -- Brother Joe May, Rev. James Cleveland, Mahalia Jackson, the Clara Ward Singers, etc. -- gained wide renown among both black and white audiences. The small-group format was also prevalent, with major figures including the Five Blind Boys of Mississippi, the Soul Stirrers, the Swan Silvertones, and the Dixie Hummingbirds; in general, these groups placed a greater premium on smooth vocal harmonies, although some performances could approach the raucous energy (if not quite the huge sound) of a choir-with-soloist group. As the years progressed, black gospel and black popular music influenced and borrowed from one another, reflecting the gradual change of emphasis toward R&B; black gospel also had an enormous impact on the development of soul music, which directed gospel's spiritual intensity into more secular concerns, and included a great many performers whose musical skills were developed in the church. As a recognizable style unto itself, black gospel music largely ceased to develop around the 1970s; progressing racial attitudes had helped black popular music reach wider audiences (and become more lucrative) than ever before, and tastes had turned towards the earthy hedonism of funk and the highly arranged, sophisticated Philly soul sound. The former wasn't quite appropriate for worship, and it wasn't all that practical to duplicate the latter in church services. However, the traditional black gospel sound survived intact and was eventually augmented by contemporary gospel (an '80s/'90s variation strongly influenced by latter-day urban R&B); plus, singers like Whitney Houston continued to develop within its ranks. Christian Images


143 years ago today, Alexander Graham Bell conducted the world's first definitive telephone tests. He made the first intelligible telephone call from building to building, near Brantford, Ontario. In a one-way transmission, he heard his uncle David Bell recite Hamlet, saying, “To be or not to be...” Bell confirmed Brantford as the birthplace of the device in a 1917 speech at the unveiling of the Bell Memorial there: “Brantford is right in claiming the invention of the telephone here...where "the first transmission to a distance was made between Brantford and Paris”—13 miles away. (1876) Biblical Verses Image
"If you happen to come upon a bird's nest along the way, in any tree or on the ground, with young ones or eggs, and the mother sitting on the young or on the eggs, you shall not take the mother with the young; you shall certainly let the mother go, but the young you may take for yourself, in order that it may be well with you and that you may prolong your days. Christian Images
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While many white musicians gravitated toward country, folk, and old-timey music to express their spirituality outside of traditional Christian hymns, Black Gospel music drew heavily upon the traditional spirituals that had been passed down from the days of slavery, picking up its more driving rhythmic emphasis from blues and early jazz. Composer and singer Thomas A. Dorsey crystallized the style in 1932 with his epochal "Take My Hand, Precious Lord," and went on to compose a great many songs that later became standards. When performed in the churches, the music was traditionally sung by a choir, with individual soloists sometimes taking the spotlight; this often happened in a form known as "call and response," in which either the choir or the soloist would repeat and/or answer the lyric which had just been sung by the other, with the soloist improvising embellishments of the melody for greater emphasis. As the music developed, these soloists became more and more virtuosic, performing with wild emotion (and, in the South, physicality) in order to properly express the spiritual ecstasy the music was meant to evoke. The music was quite egalitarian in terms of gender, as both male and female performers -- Brother Joe May, Rev. James Cleveland, Mahalia Jackson, the Clara Ward Singers, etc. -- gained wide renown among both black and white audiences. The small-group format was also prevalent, with major figures including the Five Blind Boys of Mississippi, the Soul Stirrers, the Swan Silvertones, and the Dixie Hummingbirds; in general, these groups placed a greater premium on smooth vocal harmonies, although some performances could approach the raucous energy (if not quite the huge sound) of a choir-with-soloist group. As the years progressed, black gospel and black popular music influenced and borrowed from one another, reflecting the gradual change of emphasis toward R&B; black gospel also had an enormous impact on the development of soul music, which directed gospel's spiritual intensity into more secular concerns, and included a great many performers whose musical skills were developed in the church. As a recognizable style unto itself, black gospel music largely ceased to develop around the 1970s; progressing racial attitudes had helped black popular music reach wider audiences (and become more lucrative) than ever before, and tastes had turned towards the earthy hedonism of funk and the highly arranged, sophisticated Philly soul sound. The former wasn't quite appropriate for worship, and it wasn't all that practical to duplicate the latter in church services. However, the traditional black gospel sound survived intact and was eventually augmented by contemporary gospel (an '80s/'90s variation strongly influenced by latter-day urban R&B); plus, singers like Whitney Houston continued to develop within its ranks. Scripture Images
This is a giclee print reproduction on stretched canvas with a solid wood frame. The art is mounted in the frame and is ready to hang. This is a high-quality giclee reproduction. They only use the highest quality materials to create your art. They use archival inks and museum quality archival certified acid-free canvas. A clear matte finish coat is applied which will protect your art against fading; dirt; moisture; and discoloration. The finish contains UV light absorbers and stabilizer. Biblical Verses Image
"If you happen to come upon a bird's nest along the way, in any tree or on the ground, with young ones or eggs, and the mother sitting on the young or on the eggs, you shall not take the mother with the young; you shall certainly let the mother go, but the young you may take for yourself, in order that it may be well with you and that you may prolong your days. Scripture Verse Wall Art
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