I think many of us struggle with the way we look.  If we only understood that God made us the way we are we might think that other’s expectations and our own isn’t important.  The way that God sees us is the most important thing of all because God doesn’t look at the outward appearance the way that we or others tend to do.  Many people judge us from our outward appearance and not by what is inside.  What is inside is what really counts in God’s eyes and in God’s eyes it’s the only thing that’s important.  The outward man or woman is not of eternal importance…it is what is inside as Jesus once said “it is not what goes into the mouth that defiles a person, but what comes out of the mouth; this defiles a person” (Matt 15:11) so we must keep our focus on what really defiles a person and it’s not what’s outside that does it but what comes out of the person’s mouth for that reveals what’s in our hearts. Biblical Verses Image

That said, it's up to you to determine who are the best gospel singers. If you notice that a gospel singer is missing, feel free to add them. This list answers the questions "who are the best gospel music bands of all time?" and "who is the greatest gospel musician ever?" If you know enough about the genre, please vote based on the quality of the band's music instead of just voting for the most popular gospel music bands that you might've heard of.  Scripture Images


While many white musicians gravitated toward country, folk, and old-timey music to express their spirituality outside of traditional Christian hymns, Black Gospel music drew heavily upon the traditional spirituals that had been passed down from the days of slavery, picking up its more driving rhythmic emphasis from blues and early jazz. Composer and singer Thomas A. Dorsey crystallized the style in 1932 with his epochal "Take My Hand, Precious Lord," and went on to compose a great many songs that later became standards. When performed in the churches, the music was traditionally sung by a choir, with individual soloists sometimes taking the spotlight; this often happened in a form known as "call and response," in which either the choir or the soloist would repeat and/or answer the lyric which had just been sung by the other, with the soloist improvising embellishments of the melody for greater emphasis. As the music developed, these soloists became more and more virtuosic, performing with wild emotion (and, in the South, physicality) in order to properly express the spiritual ecstasy the music was meant to evoke. The music was quite egalitarian in terms of gender, as both male and female performers -- Brother Joe May, Rev. James Cleveland, Mahalia Jackson, the Clara Ward Singers, etc. -- gained wide renown among both black and white audiences. The small-group format was also prevalent, with major figures including the Five Blind Boys of Mississippi, the Soul Stirrers, the Swan Silvertones, and the Dixie Hummingbirds; in general, these groups placed a greater premium on smooth vocal harmonies, although some performances could approach the raucous energy (if not quite the huge sound) of a choir-with-soloist group. As the years progressed, black gospel and black popular music influenced and borrowed from one another, reflecting the gradual change of emphasis toward R&B; black gospel also had an enormous impact on the development of soul music, which directed gospel's spiritual intensity into more secular concerns, and included a great many performers whose musical skills were developed in the church. As a recognizable style unto itself, black gospel music largely ceased to develop around the 1970s; progressing racial attitudes had helped black popular music reach wider audiences (and become more lucrative) than ever before, and tastes had turned towards the earthy hedonism of funk and the highly arranged, sophisticated Philly soul sound. The former wasn't quite appropriate for worship, and it wasn't all that practical to duplicate the latter in church services. However, the traditional black gospel sound survived intact and was eventually augmented by contemporary gospel (an '80s/'90s variation strongly influenced by latter-day urban R&B); plus, singers like Whitney Houston continued to develop within its ranks. Christian Images

Jack Wellman is a father and grandfather and a Christian author, freelance writer, and Prison Minister. Graduate work at Moody Bible Institute. His books are inexpensive paperbacks that are theological in nature: “Teaching Children The Gospel/How to Raise Godly Children,“ “Do Babies Go To Heaven?/Why Does God Allow Suffering?,“ "The Great Omission; Reaching the Lost for Christ," and “Blind Chance or Intelligent Design?, Empirical Methodologies & the Bible." Biblical Verses Image
At Wayfair, we want to make sure you find the best home goods when you shop online. You have searched for bible verse wall art and this page displays the closest product matches we have for bible verse wall art to buy online. With millions of unique furniture, décor, and housewares options, we'll help you find the perfect solution for your style and your home. Browse through our wide selection of brands, like Great Big Canvas and Global Gallery. If you aren’t finding the perfect product in the results for your current search for bible verse wall art, you can try searching again or using the Department navigation on the top of the page. Scripture Images
This is a list of Christian worship music artists or bands. This list includes notable artists or bands that have recorded or been known to perform contemporary worship music at some point in their careers. This includes worship leaders, Christian songwriters, and contemporary Christian music artists. It is not a list of contemporary Christian music artists alone. Scripture Verse Wall Art
See what kind of love the Father has given to us, that we should be called children of God; and so we are. The reason why the world does not know us is that it did not know him. Beloved, we are God's children now, and what we will be has not yet appeared; but we know that when he appears we shall be like him, because we shall see him as he is. And everyone who thus hopes in him purifies himself as he is pure.
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Add a charming reminder to your walls with this art. A perfect finishing touch for traditional spaces, it adds style and spirit to your home. This piece showcases a textual art motif written in black cursive font and reading a prayer that starts “Dear God, so far today I’ve done all right. I haven’t gossiped or lost my temper…” The vintage paper-inspired background adds an extra touch of classic appeal to this art. Made in America, this art is printed on paper and enhanced by a... Christian Images

143 years ago today, Alexander Graham Bell conducted the world's first definitive telephone tests. He made the first intelligible telephone call from building to building, near Brantford, Ontario. In a one-way transmission, he heard his uncle David Bell recite Hamlet, saying, “To be or not to be...” Bell confirmed Brantford as the birthplace of the device in a 1917 speech at the unveiling of the Bell Memorial there: “Brantford is right in claiming the invention of the telephone here...where "the first transmission to a distance was made between Brantford and Paris”—13 miles away. (1876)
While many white musicians gravitated toward country, folk, and old-timey music to express their spirituality outside of traditional Christian hymns, Black Gospel music drew heavily upon the traditional spirituals that had been passed down from the days of slavery, picking up its more driving rhythmic emphasis from blues and early jazz. Composer and singer Thomas A. Dorsey crystallized the style in 1932 with his epochal "Take My Hand, Precious Lord," and went on to compose a great many songs that later became standards. When performed in the churches, the music was traditionally sung by a choir, with individual soloists sometimes taking the spotlight; this often happened in a form known as "call and response," in which either the choir or the soloist would repeat and/or answer the lyric which had just been sung by the other, with the soloist improvising embellishments of the melody for greater emphasis. As the music developed, these soloists became more and more virtuosic, performing with wild emotion (and, in the South, physicality) in order to properly express the spiritual ecstasy the music was meant to evoke. The music was quite egalitarian in terms of gender, as both male and female performers -- Brother Joe May, Rev. James Cleveland, Mahalia Jackson, the Clara Ward Singers, etc. -- gained wide renown among both black and white audiences. The small-group format was also prevalent, with major figures including the Five Blind Boys of Mississippi, the Soul Stirrers, the Swan Silvertones, and the Dixie Hummingbirds; in general, these groups placed a greater premium on smooth vocal harmonies, although some performances could approach the raucous energy (if not quite the huge sound) of a choir-with-soloist group. As the years progressed, black gospel and black popular music influenced and borrowed from one another, reflecting the gradual change of emphasis toward R&B; black gospel also had an enormous impact on the development of soul music, which directed gospel's spiritual intensity into more secular concerns, and included a great many performers whose musical skills were developed in the church. As a recognizable style unto itself, black gospel music largely ceased to develop around the 1970s; progressing racial attitudes had helped black popular music reach wider audiences (and become more lucrative) than ever before, and tastes had turned towards the earthy hedonism of funk and the highly arranged, sophisticated Philly soul sound. The former wasn't quite appropriate for worship, and it wasn't all that practical to duplicate the latter in church services. However, the traditional black gospel sound survived intact and was eventually augmented by contemporary gospel (an '80s/'90s variation strongly influenced by latter-day urban R&B); plus, singers like Whitney Houston continued to develop within its ranks. Scripture Verse Wall Art
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