The older I get the less I care about what others think about me and about what I look like.  We are all made in the image of God.  Not that we have a body like God because God is Spirit but we have certain attributes of God and they are not about what we look like but about what we think about.  God has declared that He made us most wonderfully (Psalm 139:14) and besides, “Charm is deceitful, and beauty is vain, but a woman who fears the Lord is to be praised” (Prov 31:30).  It is true that “bodily training is of some value, godliness is of value in every way, as it holds promise for the present life and also for the life to come” (1 Tim 4:8). Scripture Images
While many white musicians gravitated toward country, folk, and old-timey music to express their spirituality outside of traditional Christian hymns, Black Gospel music drew heavily upon the traditional spirituals that had been passed down from the days of slavery, picking up its more driving rhythmic emphasis from blues and early jazz. Composer and singer Thomas A. Dorsey crystallized the style in 1932 with his epochal "Take My Hand, Precious Lord," and went on to compose a great many songs that later became standards. When performed in the churches, the music was traditionally sung by a choir, with individual soloists sometimes taking the spotlight; this often happened in a form known as "call and response," in which either the choir or the soloist would repeat and/or answer the lyric which had just been sung by the other, with the soloist improvising embellishments of the melody for greater emphasis. As the music developed, these soloists became more and more virtuosic, performing with wild emotion (and, in the South, physicality) in order to properly express the spiritual ecstasy the music was meant to evoke. The music was quite egalitarian in terms of gender, as both male and female performers -- Brother Joe May, Rev. James Cleveland, Mahalia Jackson, the Clara Ward Singers, etc. -- gained wide renown among both black and white audiences. The small-group format was also prevalent, with major figures including the Five Blind Boys of Mississippi, the Soul Stirrers, the Swan Silvertones, and the Dixie Hummingbirds; in general, these groups placed a greater premium on smooth vocal harmonies, although some performances could approach the raucous energy (if not quite the huge sound) of a choir-with-soloist group. As the years progressed, black gospel and black popular music influenced and borrowed from one another, reflecting the gradual change of emphasis toward R&B; black gospel also had an enormous impact on the development of soul music, which directed gospel's spiritual intensity into more secular concerns, and included a great many performers whose musical skills were developed in the church. As a recognizable style unto itself, black gospel music largely ceased to develop around the 1970s; progressing racial attitudes had helped black popular music reach wider audiences (and become more lucrative) than ever before, and tastes had turned towards the earthy hedonism of funk and the highly arranged, sophisticated Philly soul sound. The former wasn't quite appropriate for worship, and it wasn't all that practical to duplicate the latter in church services. However, the traditional black gospel sound survived intact and was eventually augmented by contemporary gospel (an '80s/'90s variation strongly influenced by latter-day urban R&B); plus, singers like Whitney Houston continued to develop within its ranks. Biblical Verses Image
Our mission is simple: Art and Christianity no longer resonate as an inherent, magnificent pairing. Actually it is a feeling that goes both ways: most Christians no longer see Art as being important or even as a relevant way of promoting the faith; and non believers don’t value Christianity as having been at the forefront of the arts throughout the centuries, responsible for creating some of the most magnificent artworks out there. Our offering is simple: one newsletter a day where we simply send you the Gospel reading of the day, alongside a work of art that we believe is poignant, reflective and appropriate to that reading. We offer a short reflection on the artwork and the reading. We simply give you the tools for you to meditate on the daily Gospel alongside a work of art. We are an apostolate within the Roman Catholic Church, based in London. Christian Images
With a five-octave vocal range, Earnest Pugh is a powerhouse singer. He's appeared on networks like the Trinity Broadcasting Network (TBN) and Black Entertainment Television (BET) as well as on stage, acting in major plays such as "Love the One You’re With," "Secret Lover" (Michael Matthews), "Crazy Love" (D'Atra Hicks) and "Real Men Pray" (Angela Barrow and Lizzie Berry). Scripture Verse Wall Art
Unless otherwise indicated, individuals may post material from the Gospel Media portion of this site to another website or on a computer network for their own personal, noncommercial use. This right can be revoked at any time and for any reason. Organizations and legal entities desiring to use material from Gospel Media may request permission from our Permissions page. For more information about using and sharing Church media, check out our FAQ page. Biblical Verses Image
With a five-octave vocal range, Earnest Pugh is a powerhouse singer. He's appeared on networks like the Trinity Broadcasting Network (TBN) and Black Entertainment Television (BET) as well as on stage, acting in major plays such as "Love the One You’re With," "Secret Lover" (Michael Matthews), "Crazy Love" (D'Atra Hicks) and "Real Men Pray" (Angela Barrow and Lizzie Berry). Biblical Verses Image
Being one of the industry leaders for over a decade, we know more about vinyl wall decal than most companies out there. We have learned by trial and error and from amazing feedback from our awesome customers. We are Amazon Professional Sellers, Ebay Power Sellers, and Ebay Top Sellers, and sell through at least 15 other sites online. However, you will typically get our best pricing here at our website plus it is definitely easier to find specific wall arts here than at most sites. Scripture Images
Glory of ChristOther BlindingChrist's Own GloryAgeControlling Your ThoughtsUnbelieversPerfection, DivineCommitment, to the worldChrist, Names ForSatan, Kingdom OfSatan, Titles ForDarkness, As A Symbol Of SinThe Light Of ChristCultsRevelation, In Ntevil, origins ofSpiritual Warfare, Causes OfHeart, Fallen And RedeemedSpiritual Blindness, Results Of SinBlinding Scripture Images
Character Of WickedRevelation, Necessity Ofevangelism, nature ofSatan, Power OfSpiritual Warfare, Enemies InImagination, Evil SchemingPresent Evil AgeNames And Titles For SatanRevelation, Responses ToShiningUnbelief, Nature And Effects OfLikenessFalse ReligionUnbelief, Sourced InSatan, As DeceiverSpiritual Blindness, Consequences OfSatanticPrincehood Of SatanImage Of God Biblical Verses Image
While many white musicians gravitated toward country, folk, and old-timey music to express their spirituality outside of traditional Christian hymns, Black Gospel music drew heavily upon the traditional spirituals that had been passed down from the days of slavery, picking up its more driving rhythmic emphasis from blues and early jazz. Composer and singer Thomas A. Dorsey crystallized the style in 1932 with his epochal "Take My Hand, Precious Lord," and went on to compose a great many songs that later became standards. When performed in the churches, the music was traditionally sung by a choir, with individual soloists sometimes taking the spotlight; this often happened in a form known as "call and response," in which either the choir or the soloist would repeat and/or answer the lyric which had just been sung by the other, with the soloist improvising embellishments of the melody for greater emphasis. As the music developed, these soloists became more and more virtuosic, performing with wild emotion (and, in the South, physicality) in order to properly express the spiritual ecstasy the music was meant to evoke. The music was quite egalitarian in terms of gender, as both male and female performers -- Brother Joe May, Rev. James Cleveland, Mahalia Jackson, the Clara Ward Singers, etc. -- gained wide renown among both black and white audiences. The small-group format was also prevalent, with major figures including the Five Blind Boys of Mississippi, the Soul Stirrers, the Swan Silvertones, and the Dixie Hummingbirds; in general, these groups placed a greater premium on smooth vocal harmonies, although some performances could approach the raucous energy (if not quite the huge sound) of a choir-with-soloist group. As the years progressed, black gospel and black popular music influenced and borrowed from one another, reflecting the gradual change of emphasis toward R&B; black gospel also had an enormous impact on the development of soul music, which directed gospel's spiritual intensity into more secular concerns, and included a great many performers whose musical skills were developed in the church. As a recognizable style unto itself, black gospel music largely ceased to develop around the 1970s; progressing racial attitudes had helped black popular music reach wider audiences (and become more lucrative) than ever before, and tastes had turned towards the earthy hedonism of funk and the highly arranged, sophisticated Philly soul sound. The former wasn't quite appropriate for worship, and it wasn't all that practical to duplicate the latter in church services. However, the traditional black gospel sound survived intact and was eventually augmented by contemporary gospel (an '80s/'90s variation strongly influenced by latter-day urban R&B); plus, singers like Whitney Houston continued to develop within its ranks. Scripture Verse Wall Art
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