While many white musicians gravitated toward country, folk, and old-timey music to express their spirituality outside of traditional Christian hymns, Black Gospel music drew heavily upon the traditional spirituals that had been passed down from the days of slavery, picking up its more driving rhythmic emphasis from blues and early jazz. Composer and singer Thomas A. Dorsey crystallized the style in 1932 with his epochal "Take My Hand, Precious Lord," and went on to compose a great many songs that later became standards. When performed in the churches, the music was traditionally sung by a choir, with individual soloists sometimes taking the spotlight; this often happened in a form known as "call and response," in which either the choir or the soloist would repeat and/or answer the lyric which had just been sung by the other, with the soloist improvising embellishments of the melody for greater emphasis. As the music developed, these soloists became more and more virtuosic, performing with wild emotion (and, in the South, physicality) in order to properly express the spiritual ecstasy the music was meant to evoke. The music was quite egalitarian in terms of gender, as both male and female performers -- Brother Joe May, Rev. James Cleveland, Mahalia Jackson, the Clara Ward Singers, etc. -- gained wide renown among both black and white audiences. The small-group format was also prevalent, with major figures including the Five Blind Boys of Mississippi, the Soul Stirrers, the Swan Silvertones, and the Dixie Hummingbirds; in general, these groups placed a greater premium on smooth vocal harmonies, although some performances could approach the raucous energy (if not quite the huge sound) of a choir-with-soloist group. As the years progressed, black gospel and black popular music influenced and borrowed from one another, reflecting the gradual change of emphasis toward R&B; black gospel also had an enormous impact on the development of soul music, which directed gospel's spiritual intensity into more secular concerns, and included a great many performers whose musical skills were developed in the church. As a recognizable style unto itself, black gospel music largely ceased to develop around the 1970s; progressing racial attitudes had helped black popular music reach wider audiences (and become more lucrative) than ever before, and tastes had turned towards the earthy hedonism of funk and the highly arranged, sophisticated Philly soul sound. The former wasn't quite appropriate for worship, and it wasn't all that practical to duplicate the latter in church services. However, the traditional black gospel sound survived intact and was eventually augmented by contemporary gospel (an '80s/'90s variation strongly influenced by latter-day urban R&B); plus, singers like Whitney Houston continued to develop within its ranks. Scripture Verse Wall Art
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Then God said, “Let us make man in our image, after our likeness. And let them have dominion over the fish of the sea and over the birds of the heavens and over the livestock and over all the earth and over every creeping thing that creeps on the earth.” So God created man in his own image, in the image of God he created him; male and female he created them.
While many white musicians gravitated toward country, folk, and old-timey music to express their spirituality outside of traditional Christian hymns, Black Gospel music drew heavily upon the traditional spirituals that had been passed down from the days of slavery, picking up its more driving rhythmic emphasis from blues and early jazz. Composer and singer Thomas A. Dorsey crystallized the style in 1932 with his epochal "Take My Hand, Precious Lord," and went on to compose a great many songs that later became standards. When performed in the churches, the music was traditionally sung by a choir, with individual soloists sometimes taking the spotlight; this often happened in a form known as "call and response," in which either the choir or the soloist would repeat and/or answer the lyric which had just been sung by the other, with the soloist improvising embellishments of the melody for greater emphasis. As the music developed, these soloists became more and more virtuosic, performing with wild emotion (and, in the South, physicality) in order to properly express the spiritual ecstasy the music was meant to evoke. The music was quite egalitarian in terms of gender, as both male and female performers -- Brother Joe May, Rev. James Cleveland, Mahalia Jackson, the Clara Ward Singers, etc. -- gained wide renown among both black and white audiences. The small-group format was also prevalent, with major figures including the Five Blind Boys of Mississippi, the Soul Stirrers, the Swan Silvertones, and the Dixie Hummingbirds; in general, these groups placed a greater premium on smooth vocal harmonies, although some performances could approach the raucous energy (if not quite the huge sound) of a choir-with-soloist group. As the years progressed, black gospel and black popular music influenced and borrowed from one another, reflecting the gradual change of emphasis toward R&B; black gospel also had an enormous impact on the development of soul music, which directed gospel's spiritual intensity into more secular concerns, and included a great many performers whose musical skills were developed in the church. As a recognizable style unto itself, black gospel music largely ceased to develop around the 1970s; progressing racial attitudes had helped black popular music reach wider audiences (and become more lucrative) than ever before, and tastes had turned towards the earthy hedonism of funk and the highly arranged, sophisticated Philly soul sound. The former wasn't quite appropriate for worship, and it wasn't all that practical to duplicate the latter in church services. However, the traditional black gospel sound survived intact and was eventually augmented by contemporary gospel (an '80s/'90s variation strongly influenced by latter-day urban R&B); plus, singers like Whitney Houston continued to develop within its ranks. Scripture Verse Wall Art
143 years ago today, Alexander Graham Bell conducted the world's first definitive telephone tests. He made the first intelligible telephone call from building to building, near Brantford, Ontario. In a one-way transmission, he heard his uncle David Bell recite Hamlet, saying, “To be or not to be...” Bell confirmed Brantford as the birthplace of the device in a 1917 speech at the unveiling of the Bell Memorial there: “Brantford is right in claiming the invention of the telephone here...where "the first transmission to a distance was made between Brantford and Paris”—13 miles away. (1876) Biblical Verses Image
Country music is a wildly popular genre, but there are other sub-genres that could exist beneath it, such as Christian country music (CCM). CCM, sometimes called country gospel or inspirational country, blends the style of country with biblical lyrics. Like country music itself, it is an expansive genre, and no two CCM artists will sound exactly alike. Christian Images
How do you decorate with spiritual and religious wall art pieces? The sky is the limit with such décor elements, as you can pick from canvas, paper, wood, metal, fabric or glass pieces that will blend in with whatever design you have in your home. Choose from portrait or landscape, as well as the print type, including textual art, oil paintings, acrylic, watercolor, pencil drawing, and more. Place such wall art in your foyer, kitchen, living room, bedroom, or anywhere that you want an uplifting message that is good for the soul. Scripture Images
God, Glory OfSittingLikenessGod Made Visible In ChristExpiationGod's Glory RevealedPerfection, DivineGospel, Historical Foundation OfAdoration, Of ChristGod Is TranscendentLight, SpiritualChrist's NatureExaltation Of ChristAccuracyRevelation, In NtHoliness, Believers' Growth InGlory, Revelation OfGlory Of GodDivinity Of ChristEarth, God SustainingSelf ImageImage Of God
What spiritual and religious wall art will go best with my current design theme? The design is a matter of personal preference and finding the artwork that speaks to how you feel as well as your own beliefs. You can look for various wall art pieces that fit in with the color scheme that you have in the space, or you can add a special touch to brighten up any given wall in your living space. Biblical Verses Image
Put the finishing touch on your serene space with this two-piece print set, perfect for yoga studios and prayer rooms. Showcasing tranquil hand symbols adorned with henna and bangles, each offers neutral hues of brown and blush with light starry details. Made in the USA, each piece is printed on canvas and wrapped around a wood frame for a look that rivals any gallery. Plus, this duo arrives ready to hang with wall-mounting hardware included. Scripture Images
Jesus knew the heart and since He is God, He knows the thoughts and motives of every human heart for He is also the Creator. God looked at the religious leaders and knew that they were hypocrites because they taught one thing but did another as Jesus said “on the outside you appear to people as righteous but on the inside you are full of hypocrisy and wickedness” (Matt 23:28). They liked to be seen and wanted others to think highly of them but Jesus knew that inwardly they were as dead as could be and were full of all sorts of evil and uncleanliness. It is never what others think about us that’s important; it is only what God knows about us that counts. We might be able to fool others but we can never fool God because “Lord, you know everyone’s heart” (Acts 1:24) “for the LORD is a God who knows, and by him deeds are weighed” (1 Sam 2:3). Scripture Verse Wall Art
Glory of ChristChrist AtoningThe Effect Of The Word Of GodChrist's Own GloryimagepersonalityThe Beauty Of NatureGod On HighRight Hand Of GodRadiancyGod Sustaining CreationPower Of Christ, ShownHand Of GodGod, Living And Self sustainingRight SidesSalvation, Nature OfKnowledge, Of Jesus ChristCreatorGod's Glory In Jesus ChristMediatorGod, Power OfBeing Cleansed From Sin Scripture Verse Wall Art
