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Sadly, many people will look at us and judge us by appearances and as we’ve already read, they can miss-read us because they don’t see what’s on the inside which is what is of ultimate importance. Jesus said “You judge by human standards; I pass judgment on no one” (John 8:15). Every time that someone looks at us and they judge us by appearances, they are judging us by human standards and very likely miss-judging us. What they can’t see is what is most important anyway. The religious leaders of Jesus’ day were only concerned with what people saw them doing but God knew their hearts and saw that they were inwardly full of sin.
Gospel music is one of the oldest forms of music. With its origins being traced back as far as the 17th century, Gospel singers have preached the words of the good book for centuries and are making some of the best gospel and Christian songs of 2018. Gospel singers for a long time had to sing without musical accompaniment outside of clapping and stomping - black gospel music has a strong tradition of using the human hands and feet as instruments. More recently, these hymns and songs feature the same strong harmonies, but also organs to tambourines to electric guitars. Beginning in the 1920s and 1930s, gospel artists became some of the most popular singers in the world. The best gospel singers are wildly popular in the Christian community are closely associated with other Christian singers. Today, within the Christian community, gospel singers are as, if not more popular than Christian rock bands, which is saying a lot.
This is a list of Christian worship music artists or bands. This list includes notable artists or bands that have recorded or been known to perform contemporary worship music at some point in their careers. This includes worship leaders, Christian songwriters, and contemporary Christian music artists. It is not a list of contemporary Christian music artists alone. Scripture Verse Wall Art
"If you happen to come upon a bird's nest along the way, in any tree or on the ground, with young ones or eggs, and the mother sitting on the young or on the eggs, you shall not take the mother with the young; you shall certainly let the mother go, but the young you may take for yourself, in order that it may be well with you and that you may prolong your days. Scripture Verse Wall Art
Jack Wellman is a father and grandfather and a Christian author, freelance writer, and Prison Minister. Graduate work at Moody Bible Institute. His books are inexpensive paperbacks that are theological in nature: “Teaching Children The Gospel/How to Raise Godly Children,“ “Do Babies Go To Heaven?/Why Does God Allow Suffering?,“ "The Great Omission; Reaching the Lost for Christ," and “Blind Chance or Intelligent Design?, Empirical Methodologies & the Bible." Christian Images
I think many of us struggle with the way we look. If we only understood that God made us the way we are we might think that other’s expectations and our own isn’t important. The way that God sees us is the most important thing of all because God doesn’t look at the outward appearance the way that we or others tend to do. Many people judge us from our outward appearance and not by what is inside. What is inside is what really counts in God’s eyes and in God’s eyes it’s the only thing that’s important. The outward man or woman is not of eternal importance…it is what is inside as Jesus once said “it is not what goes into the mouth that defiles a person, but what comes out of the mouth; this defiles a person” (Matt 15:11) so we must keep our focus on what really defiles a person and it’s not what’s outside that does it but what comes out of the person’s mouth for that reveals what’s in our hearts. Scripture Images
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While many white musicians gravitated toward country, folk, and old-timey music to express their spirituality outside of traditional Christian hymns, Black Gospel music drew heavily upon the traditional spirituals that had been passed down from the days of slavery, picking up its more driving rhythmic emphasis from blues and early jazz. Composer and singer Thomas A. Dorsey crystallized the style in 1932 with his epochal "Take My Hand, Precious Lord," and went on to compose a great many songs that later became standards. When performed in the churches, the music was traditionally sung by a choir, with individual soloists sometimes taking the spotlight; this often happened in a form known as "call and response," in which either the choir or the soloist would repeat and/or answer the lyric which had just been sung by the other, with the soloist improvising embellishments of the melody for greater emphasis. As the music developed, these soloists became more and more virtuosic, performing with wild emotion (and, in the South, physicality) in order to properly express the spiritual ecstasy the music was meant to evoke. The music was quite egalitarian in terms of gender, as both male and female performers -- Brother Joe May, Rev. James Cleveland, Mahalia Jackson, the Clara Ward Singers, etc. -- gained wide renown among both black and white audiences. The small-group format was also prevalent, with major figures including the Five Blind Boys of Mississippi, the Soul Stirrers, the Swan Silvertones, and the Dixie Hummingbirds; in general, these groups placed a greater premium on smooth vocal harmonies, although some performances could approach the raucous energy (if not quite the huge sound) of a choir-with-soloist group. As the years progressed, black gospel and black popular music influenced and borrowed from one another, reflecting the gradual change of emphasis toward R&B; black gospel also had an enormous impact on the development of soul music, which directed gospel's spiritual intensity into more secular concerns, and included a great many performers whose musical skills were developed in the church. As a recognizable style unto itself, black gospel music largely ceased to develop around the 1970s; progressing racial attitudes had helped black popular music reach wider audiences (and become more lucrative) than ever before, and tastes had turned towards the earthy hedonism of funk and the highly arranged, sophisticated Philly soul sound. The former wasn't quite appropriate for worship, and it wasn't all that practical to duplicate the latter in church services. However, the traditional black gospel sound survived intact and was eventually augmented by contemporary gospel (an '80s/'90s variation strongly influenced by latter-day urban R&B); plus, singers like Whitney Houston continued to develop within its ranks. Christian Images